ph. Maurizio Turchet
ph. Maurizio Turchet
ph. Maurizio Turchet
ph. Maurizio Turchet
How to reconnect with ancient and natural techniques better than starting with earth? So last week we drove to Matteo Brioni to learn how to become good posers. After a little tour through Fornaci Brioni in order to understand the history of the family firm and the cycle of the material we started working ….
Getting bored of all the fashionists on the catwalk we focused on the good renovation project we liked so much.
It’s a pity it isn’t a free entrance cultural exchange meeting point and still haven’t deepened the library catalogue but nice to dive in the past someway…
Niente è così delicato e sfuggente come un inizio…
Inconsapevolmente in sintonia con questa affermazione entriamo con emozione e concentrazione allo Spazio Calderara accolti dalla gentile Miyuki Yajima per un’esposizione che unisce a nostro avviso eternità e fugacità, grevità e leggerezza, (proprietà presenti in entrambi i lavori dei due artisti presentati, Maria Calderara e Sergio Calatroni). Accolti quindi da una sfilata silenziosa troviamo poi la pietra che è riuscita a intrappolare fuggevoli creature,mutevoli esseri che non si vogliono presentare, il battere d’ali di emozioni tra le fronde che presto volano via e accanto la staticità di una bolla d’aria soffermatasi sul cemento grezzo che magicamente non levita, sta. E lì vicino qualcuno ha perso un petalo di papavero, preso in prestito dalla natura per adornarsi, che generosamente si è fatto duraturo.
For over 40 years, American artist Richard Serra has tested the limits and possibilities of sculpture, film and drawing. In the 1960s he began his investigation into the imaginative and physical potential of materials and their relationship with the site and viewer. Since the early 1970s Serra has become best-known for the monumental sculptures he has created for various architectural, urban and landscape settings.
Essential sculptures in the shapes and colors, more interested to disturbance of the surrounding space than to isolate themselves in their own identity, restricting the space theme to a synthesis carried out between architecture, painting and settings, involving the viewer in the work itself.
Tilted Arc was a sculpture that was created by Richard Serra as commissioned by the United States General Services Administration. It is situated at the Federal Plaza in New York. The Tilted Arc was made in 1981 but dismantled after some discussions in 1989. It was made of steel that measured 120 feet long and 12 feet high.The sculpture demonstrates contraction and expansion as a result of the viewer’s movement. It was dismantled after complaints of it being an eyesore, an inconvenient structure to walk around, and the cost that was used to build it.
Si dice che gli oggetti abbiano tutti qualcosa da raccontare. Storie di soffitte polverose, di traslochi , di brillanti esposizioni e di colpi di fulmine inaspettati. Ma cosa succederebbe se potessero realmente raccontare le loro storie? Gli oggetti di ShiKai Tseng ce l’hanno fatta. Tramite l’ormai nota “magia chimica” dell’ impressionare una superficie ShiKai Tseng ci regala anfore , vasi, arnesi che ci catapultano direttamente nei luoghi della loro storia passata. E allora si va oltre la forma interrogando ogni centimetro quadro di superficie. L’oggetto perde la sua tridimensionalità spaziale per acquisire la funzione di porta di passaggio verso un’altra dimensione.
Last season in the pages of fashion magazines there were a brilliant campaign. The photographer has caught the moment…
………………………..and everytime we saw it…: 
For this season they amazed us another time.
That’s HIGH CASUAL EVERYDAY COUTURE BY CLAIRE CAMPBELL
Our compliments to the photographer and to the art director.
Are you looking for international books ? would you like to stay for a while in a confortable sofa reading and looking for an ispiration? If you are in Milan this is the place!!!
David Hockney – Pearblossom Highway
Robert Polidori @ Galleria Carla Sozzani
Robert Polidori – Versailles
via Mecenate 76 20138 Milan Italy I 0039 339 5603817 I info@micro-studio.org 
